‘Alien: Covenant’ (2017)

‘Alien: Covenant’

A darker more primal addition to the franchise, that seeks to juggle the series long push and pull between philosophy of creation and entertaining horror. Unfortunately ending up doing neither very well. Where ‘Alien Covenant’ succeeds is as a origin story to the xenomorphs from the original films, as a relatively jumpy dark entertaining horror and in being more easily understood and accessible than ‘Prometheus’. But precisely these successes lead me to be disappointed. The Ridley Scott prequels to the original Alien series are caught between two competing desires. On the one hand you have the haunted house in space trope, of the Alien breaking out of chests and staking people, pure horror, done so well by both ‘Alien’ and ‘Aliens’. On the other hand you have the more philosophical creation story, the themes of humans vs. artificial intelligence, made in God’s image biblical musings that go all the way back to Scotts work on ‘Blade Runner’. ‘Prometheus’ attempted more than any other in the series to deal with the more philosophical side and was both criticised and praised for its complexity, enigmatic unanswered questions, and confusing plot lines. ‘Alien: Covenant’ tries to juggle both. With the good old jump scares, gore and horror, mixed with larger questions of creation and AI, and of course feminist agency. It does none of these very well. Both ‘Promethus’ and ‘Alien Covenant’ try to top the horror of the originals which is just not possible. To me ‘Alien’ is still the scariest by far. But whereas ‘Prometheus’ to varying success asked questions about creation, AI, ‘Alien Covenant’ frustratingly does not answer any of those questions raised but rather answers totally different questions by giving an origin story to the aliens themselves. This is the most frustrating aspect, it’s as if after the criticism of ‘Promethus’ being too obtuse and hard to understand this film attempts to be more accessible without answering those questions!! Bottom line by trying to be a bit of all the previous films in the franchise ‘Alien: Covenant’ ends up being one of the weaker of the series. The best part of the film has to be Michael Fassbender’s performance as the artificial intelligence David, who has surely created one of the best science fiction characters in decades. My main issues with the film revolve around the plot and structure of the film. Visually the film is stunning to watch, the horror elements are good and the origin story is compelling. If you are a fan of the series I’m sure you may be pleased with elements of the film. And yet this fan walked away feeling very disappointed indeed. I feel as if sometimes great director Ridley Scott has so much more to say but has been curtailed by studio intervention to make a true to form entertaining sci fi horror. He struck gold with ‘Alien’ and ‘Blade Runner’ but seems unable to recreate the glory of those films, or even sadly to have the integrity to stick to the original story ark of ‘Prometheus’. Perhaps it is a good thing that he is not directing the sequel to ‘Blade Runner’ after all. 7/10

Most Anticipated Films of 2017

50 Most Anticipated Films of 2017

  1. Untitled ’50s Fashion Designer – Director: Paul Thomas Anderson, Stars: Daniel Day Lewis, Lesley Manville
  2. Call Me by Your Name – Director: Luca Guadagnino, Stars: Armie Hammer
  3. Blade Runner 2049 – Director: Denis Villeneuve, Stars: Harrison Ford, Ryan Gosling
  4. Wonderstruck – Director: Todd Haynes, Stars: Julianne Moore, Michelle Williams
  5. Dunkirk – Director: Christopher Nolan, Stars: Tom Hardy, Cillian Murphy, Kenneth Branagh
  6. Mother! – Director: Darren Aronofsky, Stars: Jennifer Lawrence, Kirsten Wiig, Michelle Pfeiffer
  7. Roma – Director: Alfonso Cuaron
  8. Murder on the Orient Express – Director: Kenneth Branagh
  9. Downsizing – Director: Alexander Payne
  10. Detroit Riots Project – Director: Kathryn Bigelow
  11. Darkest Hour – Director: Joe Wright
  12. Get Out – Director: Jordan Peele
  13. Star Wars: Episode VIII – Director: Rian Johnson
  14. The Post – Director: Steven Spielberg
  15. The Death and Life of John F. Donovan – Director: Xavier Dolan
  16. The Beguiled – Director: Sofia Coppola
  17. Molly’s Game– Director: Aaron Sorkin
  18. Happy End – Director: Michael Haneke
  19. Three Billboards Outside Ebbing, Missouri – Director: Martin McDonagh
  20. The Shape of Water – Director: Guillermo Del Toro
  21. Ready Player One – Director: Steven Spielberg
  22. Mary Magdelene – Director: Garth Davis
  23. Battle of the Sexes – Director: Jonathan Dayton and Valerie Faris
  24. The Killing of a Sacred Deer – Director: Yorgos Lanthimos
  25. Based on a True Story – Director: Roman Polanski
  26. Coco – Director: Lee Unkrich, Adrian Molina
  27. Suburbicon – Director: George Clooney
  28. Last Flag Flying – Director: Richard Linklater
  29. Alien: Covenant – Director: Ridley Scott
  30. Baby Driver – Director: Edgar Wright
  31. The Greatest Showman – Director: Michael Gracey
  32. How to Talk to Girls at Parties – Director: John Cameron Mitchell
  33. Tully – Director: Jason Reitman
  34. Victoria and Abdul – Director: Stephen Frears
  35. The Glass Castle – Director: Destin Daniel Creton
  36. A Ghost Story – Director: David Lowery
  37. The Seagull – Director: Michael Mayer
  38. Logan Lucky – Director: Steven Soderbergh
  39. The House that Jack Built – Director: Lars Von Trier
  40. Untitled – Director: Asghar Farhadi
  41. Wonder Wheel – Director: Woody Allen
  42. A Quiet Passion – Director: Terence Davies
  43. The Death Of Stalin – Director: Armando Ianucci
  44. Untitled Alexander McQueen Biopic – Director: Ian Bonhote
  45. Yen Din Ka Kissa – Director: Noah Baumbach
  46. Submergence – Director: Wim Wenders
  47. Redoubtable – Director: Michel Hazanavicius
  48. Unicorn Store – Director: Brie Larson
  49. Under The Silver Lake – Director: David Robert Mitchell
  50. The Square – Director: Ruben Östlund

2017 Movie Reviews

Top Films of 2017:

(Updated 14th Of Feb 2018)

1. Call Me By Your Name 10/10
2. Dunkirk 10/10
3. The Shape Of Water 10/10
4. Lady Bird 10/10
5. A Fantastic Woman 10/10
6. Three Billboards Outside Ebbing Missouri 9/10
7. Get Out 9/10
8. The Phantom Thread 9/10
9. Blade Runner: 2049 9/10
10. The Florida Project 9/10
11. God’s Own Country 8/10
12. A Ghost Story 8/10
13. I, Tonya 8/10
14. The Disaster Artist 8/10
15. The Post 8/10
16. War For The Planet Of The Apes 8/10
17. The Beguiled 8/10
18. Wonder Woman 8/10
19. Thor: Ragnarok 8/10
20. Logan 8/10
21. The Darkest Hour 7/10
22. Star Wars: The Last Jedi 7/10
23. Battle of the Sexes 7/10
24. Tom of Finland 7/10
25. Dreamboat 7/10
26. The Lavender Scare 7/10
27. Beauty And The Beast 7/10
28. It 7/10
29. Happy End 7/10
30. After Louie 7/10
31. T2: Trainspotting 2 6/10
32. The Ornithologist 6/10
33. The Party 6/10
34. Guardians Of The Galaxy Vol 2. 6/10
35. Alien: Covenant 6/10
36. Kong: Skull Island 6/10
37. Hercule Poirot: Murder On the Orient Express 5/10
38. Kingsmen: Golden Circle 4/10
39. Geostorm 2/10
40. Mother! 1/10

 

‘Beauty And The Beast’ (2017)

What a trip down memory lane by way of nostalgia boulevard and childhood reminiscing road the 2017 remake of ‘Beauty and The Beast’ is. It does a better than expected job of recreating the sheer movie magic of the first Best Picture nominated classic. The wrinkles of autotune and some poorly delivered lines (Emma Watson cough) are soothed away by the sheer joy and giddiness of freshly reliving the classic. This adaptation is almost religious in its reverence to the original, that when it strays it does so in small ways. A radical reinterpretation this isn’t rather a fond loving homage. Certain characters have been ‘updated’ most notably the sexuality of LeFou, which if you think about it is less a sign of progress than the fact that Gaston is gleefully played by Luke Evans, an openly gay actor. In the grand scheme of things a gay actor playing a caricature of macho heterosexuality, that is Gaston, is a giant leap next to the small step of a side kick’s fawning. Gaston and LeFou are stand outs, alongside the ‘Be Our Guest’ number and a very cinematic ‘Tale As Old As Time’. The new songs strategically placed are pleasant but pale in comparison to the original classics. All in all a fitting tribute to one of cinemas greatest animated films.          7/10.

Top 3 Films For Every Year Since 1989

2016 – 1. Moonlight 2. La La Land 3. Toni Erdmann

2015 – 1. Carol 2. Mad Max: Fury Road 3. Inside Out

2014 – 1. Boyhood 2. Birdman 3. The Grand Budapest Hotel

2013 – 1. Gravity 2. Her 3. 12 Years A Slave

2012 – 1. Amour 2. The Act Of Killing 3. Zero Dark Thirty

2011 – 1. The Tree Of Life 2. Melancholia 3. A Separation

2010 – 1. The Social Network 2. The King’s Speech 3. Inception

2009 – 1. The Hurt Locker 2. Avatar 3. The White Ribbon

2008 – 1. WALL-E 2. The Dark Knight 3. Milk

2007 – 1. There Will Be Blood 2. No Country For Old Men 3. Into The Wild

2006 – 1. Children Of Men 2. Pan’s Labyrinth 3. The Lives Of Others

2005 – 1. Brokeback Mountain 2. The New World 3. Capote

2004 – 1. Eternal Sunshine Of The Spotless Mind 2. Million Dollar Baby 3. Sideways

2003 – 1. Lord Of The Rings Return Of The King 2. Lost In Translation 3. Elephant

2002 – 1. City of God 2. Far From Heaven 3. The Pianist

2001 – 1. Mulholland Drive 2. Spirited Away 3. Lord Of The Rings The Fellowship Of The Ring

2000 – 1. Crouching Tiger, Hidden Dragon 2. Requiem For A Dream 3. Dancer In The Dark

1999 – 1. The Matrix 2. Magonlia 3. Topsy Turvy

1998 – 1. The Truman Show 2. The Big Lebowski 3. Festen

1997 – 1. Titanic 2. Boogie Nights 3. Princess Monoke

1996 – 1. Fargo 2. Breaking The Waves 3. Secrets And Lies

1995 – 1. Toy Story 2. Se7en 3. Casino

1994 – 1. Pulp Fiction 2. Shawshank Redemption 3. Forrest Gump

1993 – 1. Schindler’s List 2. The Piano 3. Three Colours: Blue

1992 – 1. Unforgiven 2. Reservoir Dogs 3. The Scent Of A Woman

1991 – 1. The Silence Of The Lambs 2. Beauty And The Beast 3. Thelma & Louise

1990 – 1. Goodfellas 2. Edward Scissorhands 3. The Godfather Part 3

1989 – 1. Dead Poet’s Society 2. Crimes & Misdemeanours 3. The Little Mermaid

100 Greatest LGBTQI Films

We are living through a golden age of LGBTQI cinema. Here is my list of Top 100 LGBTQI Themed films:

Note: the criteria for this list is that a film must have LGBTQI themes, references, characters or plot lines. In the ranking some films are ranked lower that are great films but with incidental or minimal LGBTQI content. Some films are ranked higher that are not great films per se, but have great/significant LGBTQI themes.

  1. Call Me By Your Name (2017)
  2. Brokeback Mountain (2005)
  3. Moonlight (2016)
  4. Carol (2015)
  5. A Single Man (2009)
  6. Milk (2008)
  7. Blue Is The Warmest Colour (2013)
  8. A Fantastic Woman (2017)
  9. Prayers For Bobby (TV Movie 2009)
  10. The Adventures Of Priscilla Queen Of The Desert (1994)
  11. I Killed My Mother (2009)
  12. Shelter (2007)
  13. Holding The Man (2015)
  14. Stranger By The Lake (2013)
  15. Weekend (2011)
  16. Philadelphia (1993)
  17. BMP (2017)
  18. God’s Own Country (2017)
  19. Pride (2014)
  20. Latter Days (2003)
  21. Love Simon (2018)
  22. The Hours (2002)
  23. My Own Private Idaho (1991)
  24. The Handmaiden (2016)
  25. Death In Venice (1971)
  26. Mulholland Drive (2001)
  27. The Celluloid Closet (1994)
  28. Rocky Horror Picture Show (1975)
  29. The Times Of Harvey Milk (1984)
  30. But I’m A Cheerleader (1999)
  31. The Kids Are Alright (2010)
  32. The Normal Heart (TV Movie 2014)
  33. Birdcage (1996)
  34. Monster (2003)
  35. Beach Rats (2017)
  36. The Talented Mr. Ripley (1999)
  37. Were The World Mine (2008)
  38. Transamerica (2005)
  39. The Laramie Project (2002)
  40. The Danish Girl (2015)
  41. Yu Tu Mama Tabien (2001)
  42. The Sum Of Us (1994)
  43. Cabaret (1972)
  44. Another Country (1984)
  45. How To Survive A Plague (2012)
  46. Tab Hunter: Confidential (2015)
  47. Rebel Without A Cause (1954)
  48. Far From Heaven (2002)
  49. Behind The Candelabra (2013)
  50. Midnight Cowboy (1969)
  51. The Matthew Shepard Story (TV Movie 2002)
  52. I Love You Philip Morris (2009)
  53. Head On (1998)
  54. Dallas Buyers Club (2013)
  55. Heartbeats (2010)
  56. Battle Of The Sexes (2017)
  57. Tom Of Finland (2017)
  58. Thelma & Louise (1991)
  59. I Am Love (2010)
  60. Elephant (2003)
  61. Notes On A Scandal (2007)
  62. The Perks Of Being A Wallflower (2012)
  63. Lavender Scare (2017)
  64. Dreamboat (2017)
  65. King Cobra (2016)
  66. Boulevard (2014)
  67. Capote (2005)
  68. The Imitation Game (2014)
  69. Freeheld (2015)
  70. Beginners (2010
  71. Fried Green Tomatoes (1991)
  72. My Days Of Mercy (2017)
  73. Philomena (2013)
  74. Wilde (1997)
  75. In & Out (1997)
  76. The Death And Life Of Marshall P. Johnson (2017)
  77. In The Gloaming (1997)
  78. Howl (2010)
  79. Billy Elliot (2000)
  80. B.F (2013)
  81. Kill Your Darlings (2013)
  82. Christopher And His Kind (TV Movie 2011)
  83. Breakfast On Pluto (2005)
  84. Savage Grace (2007)
  85. Scott Pilgrim Vs. The World (2010)
  86. Gay Sex In The 70s (2005)
  87. Ideal Home (2017)
  88. Tom At The Farm (2013)
  89. 100 Men (2017)
  90. Object Of My Affection (1998)
  91. The Shape Of Water (2017)
  92. American Beauty (1999)
  93. Party Monster (2003)
  94. Tarnation (2003)
  95. Time To Leave (2005)
  96. Rules Of Attraction (2002)
  97. From Beginning To End (2009)
  98. Little Miss Sunshine (2006)
  99. Saved! (2004)
  100. The History Boys (2006)

Top 10 Best Films of the 21st Century 2000-2099 (so far)

Top 10 Films of the 21st Century 2000-2016

1. The Tree Of Life (2011)
2. Children of Men (2006)
3. There Will Be Blood (2007)
4. Mulholland Drive (2001)
5. Spirited Away (2002)
6. Boyhood (2014)
7. Brokeback Mountain (2005)
8. The Lord Of The Rings trilogy (2001-3)
9. Moonlight (2016)
10. Eternal Sunshine Of The Spotless Mind (2004)

‘Manchester By The Sea’ 2016

‘Manchester By The Sea’ is one of the most moving and true depictions of men grieving that I have ever seen. As someone who has experienced the death of an immediate family member the film really struck a nerve and spoke to a truth I knew. Casey Affleck is cast in the role of his career, a note perfect performance that never over steps the mark reminding me of Heath Ledger or Brando in its naturalism and stunted emotion. It’s funny in parts, emotionally draining in others, but always true. A beautiful painting of sadness, grief and tortured masculinity reaching out for something great than what we have and can ever say. C.S Lewis once wrote that grief is the loneliness experience you can go through, no two people grieve in the same way. Words fail, interactions gloss over the immensity of thoughts and emotions, depths remain unspoken. It is such a human experience watching this film, seeing us fail so spectacularly again and again and yet redeem ourselves in a look or a turn of phrase. ‘Manchester By The Sea’ captures both our inability to overtly express our true emotions and yet subtlety shows us the tortured soul that lurks in all of us. The screenplay is a work of surgical genius, rare it is to see a film that conserves its dialogue to say so little and express so much. One of the best films of the year 10/10

Final 89th Academy Award Predictions

Final 89th Academy Award Predictions.

Correct Predictions: /24

Films with the most wins:

La La Land 9 

Moonlight 2
Manchester By a The Sea 2 

Best Picture:

La La Land

Alt. Moonlight

 

Best Director:

Damien Chazelle, La La Land

Alt. Barry Jenkins, Moonlight

 

Best Actor:

Casey Affleck, Manchester By The Sea

Alt. Denzel Washington, Fences

 

Best Actress:

Isabelle Huppert, Elle

Alt. Emma Stone, La La Land

 

Best Supporting Actor:

Mahershala Ali, Moonlight

Alt. Dev Patel, Lion

 

Best Supporting Actress:

Viola Davis, Fences

Alt. Naomie Harris, Moonlight

 

Best Adapted Screenplay

Moonlight

Alt. Hidden Figures

 

Best Original Screenplay:

Manchester By The Sea

Alt. La La Land

 

Best Documentary:

OJ: Made In America

Alt. I Am Not Your Negro

 

Best Foreign Language Film:

Toni Erdmann

Alt. The Salesman

 

Best Animated Film:

Zootopia

Alt. Kubo & 2 Strings

 

Best Editing:

La La Land

Alt. Moonlight

 

Best Cinematography:

La La Land

Alt. Arrival

 

Best Production Design:

La La Land

Alt. Arrival

 

Best Costume Design:

Jackie

Alt. Fantastic Beats And Where To Find Them

 

Best Original Score:

La La Land

Alt. Moonlight

 

Best Original Song:

City Of Stars’, La La Land

Alt. ‘Audition’, La La Land

 

Best Visual Effects:

The Jungle Book

Alt. Kubo And 2 Strings

 

Best Hair & Makeup

Star Trek Beyond

Alt. A Man Called Ove

 

Best Sound Mixing:

La La Land

Alt. Arrival

 

Best Sound Editing:

La La Land

Alt. Hacksaw Ridge

89th Academy Awards Final Predictions

Final 89th Academy Award Nominations Prediction.

Correct Predictions: 85/107 = 79%

Films with the most nominations:

La La Land 14
Arrival 9
Moonlight 7
Manchester By a The Sea 6

Best Picture:

1. La La Land
2. Moonlight
3. Manchester By The Sea
4. Lion
5. Arrival
6. Hell Or High Water
7. Hacksaw Ridge
8. Hidden Figures
9. Toni Erdmann X
10. Fences

Alt. Silence

Best Director:

1. Barry Jenkins, Moonlight
2. Damien Chazelle, La La Land
3. Kenneth Lonergan, Manchester By The Sea
4. Denis Villeneueve, Arrival
5. Garry Davis, Lion X

Alt. Martin Scorsese, Silence
Missed: Mel Gibson, Hacksaw Ridge

Best Actor:

1. Casey Affleck, Manchester By The Sea
2. Denzel Washington, Fences
3. Ryan Gosling, La La Land
4. Andrew Garfield, Hacksaw Ridge
5. Viggo Mortensen, Captain Fantastic

Alt. Joel Edgerton, Loving

Best Actress:

1. Isabelle Huppert, Elle
2. Natalie Portman, Jackie
3. Emma Stone, La La Land
4. Annette Bening, 20th Century Women X
5. Meryl Streep, Florence Foster Jenkins

Alt. Amy Adams, Arrival
Missed: Ruth Negga, Loving

Best Supporting Actor:

1. Mahershala Ali, Moonlight
2. Jeff Bridges, Hell Or High Water
3. Dev Patel, Lion
4. Hugh Grant, Florence Foster Jenkins X
5. Ben Foster, Hell Or High Water X

Alt. Lucas Hedges, Manchester By The Sea
Missed: Michael Shannon, Nocturnal Animals

Best Supporting Actress:

1. Viola Davis, Fences
2. Naomie Harris, Moonlight
3. Michelle Williams, Manchester By The Sea
4. Nicole Kidman, Lion
5. Greta Gerwig, 20th Century Women X

Alt. Janelle Monae, Hidden Figures
Missed: Octavia Spencer

Best Adapted Screenplay:

1. Moonlight
2. Lion
3. Arrival
4. Fences
5. Hacksaw Ridge X

Alt. Nocturnal Animals
Missed: Hidden Figures

Best Original Screenplay:

1. Manchester By The Sea
2. La La Land
3. Hell Or High Water
4. The Lobster
5. Captain Fantastic X

Alt. 20th Century Women

Best Documentary:
1. OJ: Made In America
2. I Am Not Your Negro
3. 13th
4. Cameraperson X
5. Fire At Sea

Alt. Life, Animated

Best Foreign Language Film:

1. Toni Erdmann
2. The Salesman
3. Land Of Mine
4. The Man Called Ove
5. The King’s Choice X

Alt. Paradise
Missed: Tanna

Best Animated Film:

1. Zootopia
2. Kubo & 2 Strings
3. Moana
4. My Life As A Zucchini
5. Finding Dory X

Alt. The Red Turtle

Best Editing:

1. La La Land
2. Moonlight
3. Manchester By The Sea X
4. Arrival
5. Hacksaw Ridge

Alt. OJ: Made In America
Missed: Hell Or High Water

Best Cinematography:

1. La La Land
2. Moonlight
3. Arrival
4. Lion
5. Nocturnal Animals X

Alt. Silence

Best Production Design:

1. La La Land
2. Fantastic Beasts And Where To Find Them
3. Arrival
4. The Handmaiden X
5. Hail Ceasar!

Alt. Nocturnal Animals
Missed: Passengers

Best Costume Design:

1. Jackie
2. La La Land
3. Fantastic Beasts And Where To Find Them
4. Florence Foster Jenkins
5. Hail Ceasar! X

Alt. Allied

Best Original Score:

1. La La Land
2. Moonlight
3. Lion
4. Jackie
5. Nocturnal Animals X

Alt. Arrival
Missed: Passengers

Best Original Song:

1. ‘City Of Stars’, La La Land
2. ‘How Far I’ll Go’, Moana
3. ‘Audition’, La La Land
4. ‘Letters To The Free’ 13th X
5. ‘Can’t Stop The Feeling’ Trolls

Alt. ‘Dancing With Your Shadow’ Po
Missed: The Empty Chair: The James Foley Story

Best Visual Effects:

1. The Jungle Book
2. Arrival X
3. Rouge One: A Star Wars Story
4. Doctor Strange
5. Fantastic Beasts And Where To Find Them X

Alt. The BFG
Missed: Kubo & Two Strings
Deep water Horizon

Best Hair & Makeup

1. Florence Foster Jenkins X
2. Hail Ceasar! X
3. Suicide Squad

Alt. Star Trek Beyond
Missed: A Man Called Ove

Best Sound Mixing:

1. La La Land
2. Hacksaw Ridge
3. Arrival
4. Fantastic Beasts And Where To Find Them X
5. Rouge One: A Star Wars Story

Alt. Sully
Missed: 13 Hours: The Secret Soldiers of Benghazi

Best Sound Editing:

1. Arrival
2. Hacksaw Ridge
3. La La Land
4. Deepwater Horizon
5. Fantastic Beasts And Where To Find Them X

Alt. Rogue One: A Star Wars Story.
Missed: Sully

‘Jackie’ 2016

Review: ‘Jackie’ 2016

A Masterclass in the creation of an Icon

‘Don’t let it be forgot, that once there was a spot, for one brief shining moment, that was known as Camelot’. The unconventional, poetic and expressionistic film ‘Jackie’ refers more than once to the lyric sang Richard Burton in the Broadway musical, one of JFK’s favourites, to describe glamorous, the shining moment that was the Kennedy presidency. Camelot, the word that evokes a world of mythological chivalry and beauty. A journalist in the film refers to the ‘spectacle’ of that time and in one of the most fascinating scenes Bobby Kennedy wonders if they will merely be remembered as the ‘beautiful people’. I cannot think of a Presidency in the US or any other Western democracy that comes close to matching the iconic glamour and mythology of the Kennedy administration and the poise and grace of its First Lady Jackie. As the Obamas leave office, Barrack and Michelle have left us whispers and echoes of that glittering period. Many historians point to the assassination and funeral of JFK, the two historical moments depicted in the film, as an epochal turning point, ushering in a new period of social and moral upheaval that ended the cohesiveness and stability of the immediate postwar period.

This nature of the ‘icon’ and ‘myth’ versus the reality becomes the central theme of the film as Jackie, at face value, tries to maintain Jack’s legacy by orchestrating a funeral that matches Lincoln’s but as the film reveals is also crafting her own legacy. Jackie an intensely private woman is shown both in her public iconic persona in the first televised tour of the White House in 1961 and then in her moments of shock and despair after the assassination. Natalie Portman, in one of the best performances of the year, expertly navigates the vast gulf between what the public saw and who she really was. The film is structured around an interview with a journalist in the time after the funeral in which she crafts her legacy. There are moments where she explains the importance of her role in preserving the art and artefacts of the White House poetically describing how artefacts and art survive long after our deaths and create our legacy.

The film contrasts her adversarial sparing with the journalist in search of a ‘story’, moulding and projecting her iconic image, with her intensely private and revealing conversation with a Catholic priest in which she reveals her doubt, frailty and deep sadness. To the journalist she states things like ‘I don’t smoke’ while holding a cigarette and ‘don’t for one minute think I’ll let you publish that’. This contrasts to the words she says to the priest ‘people like to believe in fairytales’ and ‘sometimes the men we read about on the page are more real than the ones standing next to you’. Jack was flawed and so was Jackie and yet the film shows a heartbroken woman who knew how to maintain and insure that the legacy they had created together would persevere. Do we really want the truth? There is so much that is unknown about the assassination, about Jack and especially the private Jackie. We say we want truth but truly crave the myth. Ultimately the mask becomes more real than what is beneath. There is not better suited medium to capture the nature of the ‘icon’ than film a medium that is a machine for creating myth, stars and dreams. The very film Jackie itself is at a meta level doing what Jackie in the film does. It reveals aspects of the truth ultimately creating and maintaining the beautiful myth.

9/10

December 2016 89th Academy Award Predictions

December 2016, 89th Academy Award Predictions:

Best Picture:
1. La La Land
2. Moonlight
3. Manchester By The Sea
4. Hell or High Water
5. Fences
6. Lion
7. Arrival
8. Jackie
9. Hacksaw Ridge
10. Silence

Best Director:
1. Barry Jenkins, Moonlight
2. Damien Chazelle, La La Land
3. Kenneth Lonegran, Manchester By The Sea
4. Denis Villeneueve, Arrival
5. Martin Scorsese, Silence

Best Actor:
1. Casey Affleck, Manchester By The Sea
2. Denzel Washington, Fences
3. Ryan Gosling, La La Land
4. Andrew Garfield, Hacksaw Ridge
5. Joel Edgerton, Loving

Best Actress:
1. Natalie Portman, Jackie
2. Emma Stone, La La Land
3. Isabelle Huppert, Elle
4. Annette Bening, 20th Century Women
5. Amy Adams, Arrival

Best Supporting Actor:
1. Mahershala Ali, Moonlight
2. Jeff Bridges, Hell Or High Water
3. Dev Patel, Lion
4. Lucas Hedges, Manchester By The Sea
5. Ben Foster, Hell Or High Water

Best Supporting Actress:
1. Viola Davis, Fences
2. Naomie Harris, Moonlight
3. Michelle Williams, Manchester By The Sea
4. Nicole Kidman, Lion
5. Octavia Spencer, Hidden Figures

Best Adapted Screenplay:
1. Moonlight
2. Fences
3. Lion
4. Arrival
5. Silence

Best Original Screenplay:
1. Manchester By The Sea
2. La La Land
3. Hell Or High Water
4. The Lobster
5. Captain Fantastic

‘La La Land’ (2016)

I simply fell in love with La La Land. A cinematic painterly surreal dream is the best way I can succinctly describe it. Every single frame is curated with rich cinematic colours that hark back to classic films: West Side Story passionate rich reds, Vertigo mysterious moody greens and Titanic twilight pinky blues. A love letter to cinema, classic movie references and images abound. Hot off the insane success of his first film ‘Whiplash’ director Damien Chazelle in his opening scene on a bumper to bumper LA freeway where drivers burst into glorious song, instantaneously creates a musical world with such ease and grace that you follow his direction wherever he may lead. The cinematography and musical numbers alone create something miraculous turning the tired cinematic cliche of a smoggy and ugly Los Angles into a city that is unrecognisable in its vitality and beauty. With subtle deftness Chazelle navigates the shoals of cheesiness, unbelievability, and sentimentality with aplomb, steering the film to an almost impossible shore. The film could sail alone on its visual and musical sublimes and yet inporabably the writing, message and acting are even better. A story that takes the cliche of ‘the city of dreams’ and ‘follow your dreams’ breaks them down and then makes them real, intoxicating you into a love and dream delirium. La La Land follows the story of a lovably purist jazz officianado, Ryan Gosling, and a struggling aspiring actress/current barrista, Emma Stone. Ryan Gosling and Emma Stone have created this decades’ Rick and Ilsa (Casablanca), Jack and Rose (Titanic), Jack and Innis (Brokeback Mountain). The love story of our time. Both actors imbue their characters with an uncynical and unaffected earnestness that left me floored with my mouth open and tears in my eyes. The film is destined to a level of Oscar glory not seen since Slumdog Millionaires 8 Oscar wins. Nominations across the board and wins likely in Best Picture, Director, Production Design and Actress. By watching the trailer, reading the plot or even reading this review, you cannot get a true sense of its originality when on paper it is treading such a well trodden path we’ve seen many times before. Trust me you haven’t seen a romantic musical quite like this. In the way ‘Mad Max: Fury Road’ last year became an instant classic of the action genre, La La Land goes one better and becomes the best romance since ‘Brokeback Mountain’ and the best musical since Chicago, better even, a instant classic of both genres. In a dark world that seems to have given up, resigned and cyclical La La Land feels like a slap in the face that wakes you up and makes you feel again. This is where it’s true mastery lies: in a world that has heard and seen it all before, La La Land tells us truths we already knew in a way that feels as though you are hearing them for the first time. Don’t give up, dare to dream, be brave, and most importantly allow yourself to fall in love with all the exquisite pain and suffering that entails. I fell in love with this film like I fell in love with Casablanca, Titanic and others. In the words of a film it pays homage too Singin’ In The Rain, it’s a star whose luster will live long in the cinematic firmament. Best film of 2016.

10/10.  ****

‘The Founder’ (2016)

‘The Founder’ is a perfect example of a mismatch between a director and his subject matter. Texan John Lee Hancock, known for directing ‘middle America’ folksy sentimental stories about plucky characters over coming odds, in films such as ‘The Blind Side’ and ‘Saving Mr. Banks’, both ok-good films who’s subject matter more suited Hancock’s sugary tone. However with the mildly interesting story of how an ice cream salesman named Ray Kroc came to take over the largest fast food chain in the world, Hancock’s folksy directing style stumbles. What ‘The Founder’ in better hands could have been was a dark, indictment and cautionary tale on American greed and single mindedness in the vein of ‘The Social Network’ or ‘The Aviator’ instead ends up as a ‘by the numbers’ traditional bio pic slog through a series of slow scene build ups to the bleedingly obvious and uninteresting ending. Micheal Keaton does as best an actor can to flesh out a portrait of a complex man beneath the cheesy smile. However given the tone, direction and in particular glib ‘punch-line’ dialogue that sucks all the nuanced air out of every scene we never get more than a passing understand of the man. Although he flow the slow journey of Ray Kroc to ultimately swindling the two cartoonishly idealistic McDonald brothers out of their creation, it is a skin deep view that never gets into the heart and soul of the character. What was the fire that burns in people to do what they do? The film does offer one telling insight into the man, the debt he psychologically owed to the ‘positive thinking’ movement. A psychological train of thought which has given us such wonderful men as Donald Trump. You can tell Keaton is trying to depict Ray Kroc as a character that you hate for his cruelty and respect for his persistence. And yet because of the flaws in the film you get a film that fails in the same way Jennifer Lawerence’s portrayal in 2014’s ‘Joy’ failed, namely: that you are never able to care enough about what is happening to the character in either a positive or negative way. Perhaps this is the saddest fate to fall a film and an actors portrayal: total uninterested apathy. You can basically watch the trailer or read the Wikipedia entry on his rise and that will sate most passing interest you might have in this sad man’s story. I do think as much as Americans love to worship the rise of the self made man or woman, we must all realise that this is a myth, no man rises on his own. Some men rest on the shoulders of others and call themselves tall.

5/10   **1/2

November 2016, 89th Academy Award Predictions

November 2016, 89th Academy Award Predictions:

Best Picture:
1. La La Land
2. Silence
3. Moonlight
4. Manchester By The Sea
5. Fences
6. Jackie
7. Lion
8. Loving
9. Arrival
10. Hell or High Water

Best Director:
1. Martin Scorsese, Silence
2. Damien Chazelle, La La Land
3. Barry Jenkins, Moonlight
4. Kenneth Lonegran, Manchester By The Sea
5. Denzel Washington, Fences

Best Actor:
1. Casey Affleck, Manchester By The Sea
2. Denzel Washington, Fences
3. Ryan Gosling, La La Land
4. Michael Keaton, The Founder
5. Joel Edgerton, Loving

Best Actress:
1. Emma Stone, La La Land
2. Natalie Portman, Jackie
3. Annette Bening, 20th Century Women
4. Isabelle Huppert, Elle
5. Ruth Negga, Loving

Best Supporting Actor:
1. Mahershala Ali, Moonlight
2. Liam Neeson, Silence
3. Jeff Bridges, Hell Or High Water
4. Dev Patel, Lion
5. Lucas Hedges, Manchester By The Sea

Best Supporting Actress:
1. Naomie Harris, Moonlight
2. Viola Davis, Fences
3. Michelle Williams, Manchester By The Sea
4. Nicole Kidman, Lion
5. Janelle Monae, Hidden Figures

Best Adapted Screenplay:
1. Silence
2. Fences
3. Lion
4. Sully
5. Hacksaw Ridge

Best Original Screenplay:
1. Moonlight
2. Manchester By The Sea
3. La La Land
4. Hell Or High Water
5. 20th Century Women.

‘Hell Or High Water’ (2016)

‘Hell or High Water’ might be the sleeper hit movie of 2016, in the truest sense of the phrase. By going off face value: the trailer and synopsis for the film, you would think it was just another tried Western/ buddy road movie /bank robbery chase movie. And you’d be right. It is all these things but it’s cleverness is in making these genres cliches feel new fresh and oh so achingly relevant in the face of Trump’s victory. The film is set in deep West Texas, I.e. Trump voter land, a place literally dying as its old white residents succumb to illness, drugs and despair. The land globalisation left behind. The film like ‘Fargo’ or ‘No Country For Old Men’ before it turns a conservative rural part of America into something exotic, gothic and confronting. The film is overtly political in this sense, as it sets the drama of two brothers robbing local banks, to pay off the mortgage on their recently deceased mother’s farm, in the foreground while in the background scenes of economic and social despair and ruin abound. You can’t take the film on face value, the details of foreclosure signs oil pumps and abandoned towns in the background, and the anti-bank greed subtext to a lot of the conversations, actions and consequences give a greater gravitas and meaning to the story. This is a film that gives ‘on the ground’ credence to the anti establish political revolution of Trump and Sanders. The cast is uniformly excellent as the dual buddy storylines of two brother robbers and a Native American and racist retiring cop, played with such easy power by Jeff Bridges, converge inevitably towards a final violent confrontation. The ending isn’t surprising or shocking as the looming arm of justice finally catches up with the brother robbers and yet I found myself crying at the flawed, tragic relationship of the brothers as they meet their different ends. A morality tale for our time. The film is never black and white, but resolutely grey. There are no Heros and no total villains. If there is a villain it is the quite off screen violence of the shadowy banks that is the most dark. The overall story and conclusion isn’t anything particularly new, but what is new and exciting is the pregnant dialogue, the subversive performances and the profound humanist message amidst a tired old genre. Jeff Bridges is destined for his 7th Oscar nomination for this film and he deserves it, grippingly depicting a full spectrum of pain and emotions in a limited amount of screen time.

9/10.  ***1/2

‘Elle’ (2016)

Having seen 2,117 movies in my lifetime, I am not easily shocked by a movie. However the new film ‘Elle’ with the fearless Isabelle Huppert shocked me.

A story that was so difficult to film the director spent years trying to convince an American actress to play the lead role and not one would touch it fearing the character could do irreparable harm to how they would be seen by their audiences. Having seen the film I can say that those American actresses were right in their fear, and because they were right I think Isabelle Huppert deserves an Oscar nomination for her unbelievable performance.

‘Elle’ is a character study first and foremost, the shocking things that happen to her, are in a sense, less interesting than the character herself. And what a character. She and the film itself are ruthlessly, relentlessly unsentimental in the face of some horrific events. She is a cruel, unemotional, awful person verging on being a sociopath and yet you cannot help admiring the same qualities that make you terrified of her. Sadism, violence, cruelty, sexual rapaciousness, fear mix with a comedy of bouegious manners and French culture. Although the film superficially depicts an increasingly dangerous game of home invasion and rape as a whodunnit, the film is most fascinating in exploring ‘Elle’s uniquely dark and impressive worldview. This film is perhaps what ‘Fifty Shades of Grey’ was scratching the surface of, albeit in an American sanitised way, whereas Elle goes for the jugular and leaves little to the imagination. Not for the faint hearted or a half hearted viewing event. Should you choose to watch this film strap yourself in for a dive in a riveting drama that will frighten, shock, challenge, but never bore you. And to you Ms Huppert, my hat is off, your performance is groundbreaking.

9/10  ***1/2

‘Arrival’ (2016)

Watching Arrival I felt all the cheese of all the bad sci fi movies I have watched this sad year (I’m thinking X-Men, Star Trek and Independence Day) just wash away. Arrival is an excellent sci fi movie but it is an even better psychological drama and fervent romance. Although it looks at the big questions of our existence and communication with extraterrestrials, it ultimately looks within us to create a sci fi movie that is not obtuse and theoretical but emotional and moving. It’s the thinking man’s sci fi movie of 2016. The director of the gripping ‘Scario’ has such an eye for detail, believably, emotional arc, beautiful shots, subtlety and right mood. A lot of thought and care has gone into creating a alien language system that is both believable and thought provoking. Amy Adams is the glue binding this film together, you never once leave her side or not see yourself in her, she is fast becoming one of my favorite actresses. The colour palate of the film is so soft and moody, you feel as if you are slipping into a dream like state as you watch it. Arrival is a triumph and one of the most believable movies about our encounter with aliens that I have yet seen.

9/10  ***1/2

‘Nocturnal Animals’ (2016)

Finally got to watch Tom Ford’s ravishing film ‘Nocturnal Animals’. His film debut ‘A Single Man’ had a profound impact on me and my life ever since I watched it at the cinemas on my 21st birthday. ‘Nocturnal Animals’ is a marked departure from that film, as it is almost unbearably dark, cruel and cynical, unlike the tragic but uplifting romance that ‘A Single Man’ was. It many ways the film explores cynicism itself, in the LA art world full of beauty but unhappiness and in the death of a relationship which becomes a metaphor for a fictional story intertwined in the movie. The message is murky but from what I can piece together: love is precious and revenge hurts all involved. I admit that despite the violence and shock of the story and the cruelty of the ending I felt it lacked a sense of urgency or significance. Tom Ford is a master of the visual. Even when the film doesn’t flow or the dialogue is choppy, every scene is ravishingly beautiful. Your aesthetic soul will be well fed by this film but if you are looking for something more than a sad tale of revenge the film doesn’t quite deliver. And also I love Amy Adams, first the excellent ‘Arrival’ and now her sickly slick turn in ‘Nocturnal Animals’ she is one of the most versatile and empathetic actors working today.

8/10 ***1/2

‘Fantastic Beasts And Where To Find Them’ (2016)

‘Fantastic Beasts And Where To Find Them’ has to be one of the funnest movie experiences I have had this year. I felt like a little kid again the moment the opening credit and theme song.I will never forget the movie magic and feeling back in 2001 when I was 12, see the owl land of the sign of Privet Drive for the first time. Like Star Wars before it JK Rowling has created a world that will last for a very long time. I always assumed that in the future kids would roll their eyes as my generation Millenials wax lyrical about loving Harry Potter in their youth, now I feel as though many future generations will fall in love with the wizarding world as well. As a world building exercise the film has opened the door to the endless possibilities of this world. Doing an exciting job of laying the groundwork for the story I most want to see in the HP universe: romance between Grindelwald and Dumbledore and Grindelwald’s rise to power. I am disappointed in the casting of Johnny Depp though, such a hack these days. The best part of the film has to be the exploration of the Beasts in Newt’s briefcase, rather than the main storyline. The cast is almost uniformly excellent, especially the supporting cast. The plot is a bit rambling, the ending a bit anti-climatic and one plot outcome, a death, is surprisingly dark but glossed over. But for creating the wider wizarding world, exploring the beasts of the world, and setting us up for the rise of Grindelwald the film is very successful. You won’t have more fun at a cinema in 2016!!

8/10   ***1/2